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Hans van Ommeren

  • Devoiced

    Devoiced

    Type: Photography

    0cm x 0cm

    Paper: Epson Textured fine art paper 225g

    Produced By: Artist

    Series: 3

    Available: 2

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  • Under Control

    Under Control

    Type: Photography

    0cm x 0cm

    Paper: Epson Textured fine art paper 225g

    Produced By: Artist

    Series: 3

    Available: 2

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  • impossible dreams

    impossible dreams

    Type: Photography

    0cm x 0cm

    Paper: Epson Somerset Velvet fine art paper 505g

    Produced By: Artist

    Series: 3

    Available: 2

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  • Lonely but Happy

    Lonely but Happy

    Type: Photography

    0cm x 0cm

    Paper: Epson Textured fine art paper 225g

    Produced By: Artist

    Series: 3

    Available: 2

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  • Only Good Memories

    Only Good Memories

    Type: Photography

    0cm x 0cm

    Paper: Epson Textured fine art paper 225g

    Produced By: Artist

    Series: 3

    Available: 2

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  • My Future

    My Future

    Type: Photography

    0cm x 0cm

    Paper: Epson Textured fine art paper 225g

    Produced By: Artist

    Series: 5

    Available: 3

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  • No Sadness

    No Sadness

    Type: Photography

    0cm x 0cm

    Paper: Epson Textured fine art paper 225g

    Produced By: Artist

    Series: 10

    Available: 6

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  • Powerfull Movements

    Powerfull Movements

    Type: Photography

    0cm x 0cm

    Paper: Epson Ultra Smooth fine art paper 325g

    Produced By: Artist

    Series: 6

    Available: 3

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  • My Future 2

    My Future 2

    Type: Photography

    0cm x 0cm

    Paper: Epson Ultra Smooth fine art paper 325g

    Produced By: Artist

    Series: 5

    Available: 3

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  • Sunflowers are making me yellow

    Sunflowers are making me yellow

    Type: Photography

    0cm x 0cm

    Paper: Epson Somerset Velvet fine art paper 505g

    Produced By: Artist

    Series: 10

    Available: 7

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  • Flying Time

    Flying Time

    Type: Photography

    91cm x 112cm

    Paper: Epson Somerset Velvet fine art paper 505g

    Produced By: Artist

    Series: 3

    Available: 2

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  • Mens & Landschap 17

    Mens & Landschap 17

    Type: Photography

    0cm x 0cm

    Paper: Epson Somerset Velvet fine art paper 505g

    Produced By: Artist

    Series: 8

    Available: 6

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  • Mens & Landschap 23

    Mens & Landschap 23

    Type: Photography

    0cm x 0cm

    Paper: Epson Somerset Velvet fine art paper 505g

    Produced By: Artist

    Series: 8

    Available: 8

    0cm x 0cm

    Paper: Epson Somerset Velvet fine art paper 505g

    Produced By: Artist

    Series: 8

    Available: 8

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  • Watching Bird

    Watching Bird

    Type: Photography

    0cm x 0cm

    Paper: Epson Somerset Velvet fine art paper 505g

    Produced By: Artist

    Series: 5

    Available: 3

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  • Body Light 3

    Body Light 3

    Type: Photography

    91cm x 0cm

    Paper: Epson Somerset Velvet fine art paper 505g

    Produced By: Artist

    Series: 8

    Available: 3

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  • Playing Around

    Playing Around

    Type: Photography

    0cm x 0cm

    Paper: Epson Textured fine art paper 225g

    Produced By: Artist

    Series: 8

    Available: 4

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  • Commercial Work

    Commercial Work

    Type: Photography

    0cm x 0cm

    Paper: Epson Traditional Photo Paper 300g

    Produced By: Artist

    Series: 1

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  • Body Light

    Body Light

    Type: Photography

    0cm x 0cm

    Paper: Epson Ultra Smooth fine art paper 325g

    Produced By: Artist

    Series: 8

    Available: 4

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  • Restless

    Restless

    Type: Photography

    0cm x 0cm

    Paper: Epson Textured fine art paper 225g

    Produced By: Artist

    Series: 3

    Available: 2

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Hans Van Ommeren (1948).  Photography allows us to condensate reality and let us leave on the realm of our imagination. Photography is one of this place where these can meet. As many has discovered, good photography comes down with a very acute way of seeing things.

 The search for ever better compositions, luminance and the contrast in blacks, whites and greys, or color combinations, and the right texture of my final prints can for very long spells crowd out anything else in my mind; and as I probe possibilities I relish a feeling of fullfilment.

 Most recently my challenge has been to bring out of the viewer what is not concretely there in the photography: conveying, to take one example, the sense of skin just touched by stroking finfers

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